Eric Bana contemplated the idea of bringing a piece of his experience from the set of Netflix’s “Untamed” back to his home in Australia, specifically the horse he rides in this new limited series.
The show revolves around an agent who delves into the mysterious circumstances surrounding a death at Yosemite National Park, and Bana’s connection with the horse has grown throughout the filming process.
This bond not only highlights the integral role the animal plays in the narrative but also reflects Bana’s appreciation for the unique experiences that come with portraying such a character in a captivating setting.
Bana, 56, reflects on the considerable expense involved in transporting a horse from British Columbia, the location where the show was filmed.
He admits uncertainty about whether the horse was even available for purchase, yet his interest prompted him to investigate the possibility further.
In a moment of determination, he contemplated the idea of smuggling the horse, highlighting the lengths to which he was willing to go to acquire it.
Bana humorously remarks that his wife, Rebecca, would have welcomed any new addition to their household, provided that he took on the responsibility for it.
He shares that they currently have two pets: a poodle and a Burmese cat, both of which coexist peacefully in their home.
This harmonious relationship between the two animals highlights the successful integration of different species within a shared living environment, showcasing Bana’s ability to manage the dynamics of his household effectively.
Bana tackles demons and a murder case in ‘Untamed’
Bana humorously observes that his wife, Rebecca, would eagerly embrace any new member of their household, as long as he was the one to shoulder the associated responsibilities.
He elaborates on their current family dynamic, which includes two pets: a poodle and a Burmese cat.
Remarkably, these two animals coexist in a state of tranquility, illustrating the successful blending of different species within their shared living space.
This peaceful coexistence not only underscores the compatibility of the poodle and the Burmese cat but also reflects Bana’s adeptness in managing the intricate dynamics of his household, ensuring that all members, both human and animal, thrive together harmoniously.
Bana reflects on the profound bond shared between Turner and his ex-wife Jill, portrayed by Rosemary DeWitt, highlighting the deep-seated trauma that connects them.
The tragic loss of their son has left an indelible mark on Turner, influencing his emotional landsape in a manner that resonates with anyone who has experienced such grief.
This loss fosters a unique spiritual connection for him, particularly with the park and the natural world surrounding it.
The narrative seeks to explore and delve into this intricate relationship, emphasizing how nature serves as a conduit for healing and reflection in the wake of their shared sorrow.
Bana revealed that he first received the script for the pilot episode back in 2018; however, the onset of the COVID-19 pandemic, coupled with various strikes in Hollywood,
significantly postponed the production timeline. In addition to his acting role, he took on the responsibilities of an executive producer,
a position he embraces when he is particularly passionate about preserving the integrity of the original vision for the project.
He expressed concerns about potential compromises that could arise during the production process,
noting that studios might suggest alterations such as reducing the number of locations or cutting down on time spent in specific settings, like a forest.
Fortunately, in this instance, all parties involved shared a unified vision, allowing them to remain committed to the original concept without dilution.
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