Introduction
The singer-songwriter renowned for her haunting rendition of “Llorando” in David Lynch’s acclaimed 2001 film Mulholland Drive has passed away at the age of 57.
The Los Angeles Coroner’s Office has confirmed to People that she died at her residence in Los Angeles on June 23. As of the time of this report, no additional information regarding the circumstances of her death has been released, leaving fans and the music community in mourning and seeking answers about the loss of this talented artist.
On June 25, Dan Coronado, her nephew, took to Facebook to share the heartbreaking news of Tia Becky’s passing.
He expressed his shock and sorrow, noting that they had just spent time together on Father’s Day, which made the loss feel even more profound. His post served as a poignant reminder of the fleeting nature of life and the cherished moments that can suddenly become memories.
I am incredibly thankful that the children had the opportunity to experience her singing, and I am equally relieved that I chose to disregard her request and captured the moment on video without her knowledge.
Her stage name, Rebekah Del Rio, was a collaborative creation between her and my Uncle Phil, reflecting a blend of their artistic visions and personal connections. This moment not only showcases her talent but also highlights the special bond they shared in the creative process, making it a cherished memory for all of us.
Two Sundays ago, we were truly fortunate to experience a remarkable day together, and I feel immense gratitude that my children will carry the memory of that occasion, particularly the opportunity to witness her extraordinary talent.
Both she and my cousin Monique possess an exceptional ability to sing that transcends the ordinary; they don’t just sing, they truly deliver a powerful performance that resonates deeply with anyone fortunate enough to listen. This reflection on our recent family gathering highlights the joy and connection we shared, underscoring the lasting impact of such moments on our lives.
Her most renowned track is called ‘Llorando,’ a tribute to Roy Orbison’s classic ‘Crying,’ which I find myself doing as I write this message. In closing, I want to express my heartfelt gratitude for the incredible talent you share with the world, Tia. Your artistry resonates deeply with us, and we cherish you immensely.
Lynch’s partnership with Del Rio traces back to the 1990s, a connection facilitated by their shared agent at CAA, Brian Loucks, as reported by Variety. During this period, Del Rio was in the process of securing a country music record deal in Nashville for her song “Llorando.”
It was during this pivotal moment that she performed the track for Lynch, who, appreciating her talent, discreetly recorded her rendition. This initial collaboration laid the groundwork for a fruitful artistic relationship that would evolve over the years.
In an interview with IndieWire in 2022, she referred to their encounter as a form of “money in my karmic bank.” This statement reflects the profound impact that the meeting had on her, particularly in light of the director’s subsequent inspiration drawn from her performance.
Tragically, the director passed away in January, but his admiration for her work led him to incorporate that very performance into his forthcoming project, utilizing the original footage captured on the day they first met. This connection not only highlights the significance of their collaboration but also underscores the lasting influence of artistic encounters in the creative process.
In a 2022 interview with IndieWire, Del Rio discussed the iconic scene, emphasizing the extensive number of takes that were required to capture the perfect moment. He explained that with each take, he felt compelled to sing along, as he believed it was essential to replicate the same emotional resonance.
By focusing on the vibrato in his voice, he aimed to convey a depth of feeling that would resonate with the audience, ensuring that they could truly experience the intensity of the performance.
Del Rio expressed his observations regarding lip-syncing in various films and television shows, noting a distinct lack of movement in the vibrato of the performers’ throats. He pointed out that it becomes quite evident when actors are not genuinely singing, which detracts from the overall viewing experience for him.
This disconnect between the visual performance and the audio can diminish the authenticity and emotional impact that music is meant to convey, ultimately affecting the audience’s engagement with the scene.
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